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Morra di Colecchia
Morra di Colecchia is a natural dolmen-shaped shelter created by large limestone boulders collapsed from the overlying Mount Cerasolo. The rock art primarily consists of numerous fine engravings depicting tree-shaped figures, phytomorphic motifs, and lines, possibly created during the Late Mesolithic. Of particular interest is a phi-shaped figure painted in red ochre, superimposed onto the engravings, which can be dated to the Neolithic age.
Arnalo dei bufali
The Arnalo dei Bufali rock art site near Sezze (southern Lazio) is a karstic rock shelter once used as a refuge and livestock pen. In 1936, Alberto Carlo Blanc discovered a red-ochre anthropomorphic painting here, the first prehistoric rock art officially recognized in Italy, tentatively dated to the Neo-Eneolithic.
Riparo and Grotta di Anticoli
Riparo and Grotta di Anticoli are two prehistoric rock art sites located in the province of Rome, within the Latium region of central Italy. They feature paintings and engravings predominantly in black, showcasing schematic and geometric figures.
Grotta Antica
Rock Art Site Description
- Rock Art Paintings: 2+ in black colour, 5+ in red colour
- Rock Art Engravings: none
- Site dimensions: 350m lenght, approx. 30m depth
- Site orientation: none
- Site altitude a.s.l.: 525m
Grotta Antica is a karst cave developed within Mesozoic limestone features richly concreted chambers and deep vertical shafts. The cave has rock art that remained hidden for millennia in the underground darkness of Mt. Soratte near Rome before the speleologist Paolo Forconi of the Speleo Club Roma widened a tiny vertical passage on the forested slopes of this mountain relief in 2004. Here, a local farmer had previously observed airflow from a crack opening in the ground, indicating a possible cave continuation. After descending a couple of vertical pits, Mr. Forconi discovered previously unexplored wide chambers with archaeological remains, including ceramics, lithic artifacts, bone tools, and clumps of red colouring substance possibly ochre.
In 2014, Terra Incognita documented the research conducted by an interdisciplinary team of university researchers and the National Board of Antiquities.
This cave, a 350-meter-long karstic complex, was used as a burial site during the initial phase of the Middle Neolithic (5th – 4th millennium BCE). Based on archaeological evidence, the cavity remained accessible until the Middle Bronze Age.

Carinated jug with incised-line decoration, characteristic of the Neolithic incised ware tradition (from Petitti et al. 2010, fig. 2)
Archaeological investigations—though limited to surface observations—have documented a significant prehistoric occupation. Human skeletal remains, including disturbed burials, suggest ritual and funerary use. Associated finds include decorated Neolithic ceramics, such as incised-line bowls, carinated jugs, and a biconical cup with knobbed rim. Traces of red ochre pigment, charcoal clusters, and bone fragments dispersed across chamber floors and rock niches further support ceremonial activity. The material culture is consistent with a late Neolithic attribution, particularly the Fiorano facies, with parallels to assemblages from Monte Venere and Sasso. The evidence points to a site of symbolic significance, potentially reused over time, embedded in a broader ritual landscape of central Italy's Tiber valley
Figure gallery
from giorgiopintus.blogspot.com
from giorgiopintus.blogspot.com
from giorgiopintus.blogspot.com
from Petitti et al. 2010, fig. 2
from giorgiopintus.blogspot.com
from giorgiopintus.blogspot.com
Rock Art Figure Descriptions
Example of red colour rock art figure from Grotta Antica in 2014
(photo by T. Mattioli)
Preliminary exploration at Grotta Antica revealed intriguing traces of prehistoric rock art, suggesting the cave may function also as a decorated hypogeum in central Italy. In a lateral niche of the main chamber, researchers identified a black curvilinear mark, segmented internally and likely drawn with a rigid pigment—possibly charred wood—on a highly irregular vertical rock face. In various parts of the cave walls, including at considerable heights, wavy or straight lines and dots— presumably made with red ochre— have been identified.
Particularly noteworthy are two large segments of stalactite (or stalagmite) partially painted with red ochre and artificially positioned in a later niche where red ochre lumps were also found scattered on the cave floor, reinforcing the hypothesis of symbolic use of color for spatial demarcation.
Figure gallery
by P. Petitti
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
Grotta Antica References
2010
Grotta Antica. Primi dati sul complesso archeologico Journal Article
In: Daidalos. Studi e Ricerche del Dipartimento di Scienze del Mondo Antico, vol. 10, pp. 1-22, 2010.
2005
La scoperta di Grotta Antica Bachelor Thesis
2005.




















