Grotta Antica

Prehistoric Rock Art of Lazio

Morra di Colecchia

Morra di Colecchia

Morra di Colecchia is a natural dolmen-shaped shelter created by large limestone boulders collapsed from the overlying Mount Cerasolo. The rock art primarily consists of numerous fine engravings depicting tree-shaped figures, phytomorphic motifs, and lines, possibly created during the Late Mesolithic. Of particular interest is a phi-shaped figure painted in red ochre, superimposed onto the engravings, which can be dated to the Neolithic age.

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Arnalo dei bufali

Arnalo dei bufali

The Arnalo dei Bufali rock art site near Sezze (southern Lazio) is a karstic rock shelter once used as a refuge and livestock pen. In 1936, Alberto Carlo Blanc discovered a red-ochre anthropomorphic painting here, the first prehistoric rock art officially recognized in Italy, tentatively dated to the Neo-Eneolithic.

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Riparo and Grotta di Anticoli

Riparo and Grotta di Anticoli

Riparo and Grotta di Anticoli are two prehistoric rock art sites located in the province of Rome, within the Latium region of central Italy. They feature paintings and engravings predominantly in black, showcasing schematic and geometric figures.

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Grotta Antica


Rock Art Site Description


  • Rock Art Paintings: 2+ in black colour, 5+ in red colour
  • Rock Art Engravings: none
  • Site dimensions: 350m lenght, approx. 30m depth
  • Site orientation: none
  • Site altitude a.s.l.: 525m

Grotta Antica is a karst cave developed within Mesozoic limestone features richly concreted chambers and deep vertical shafts. The cave has rock art that remained hidden for millennia in the underground darkness of Mt. Soratte near Rome before the speleologist Paolo Forconi of the Speleo Club Roma widened a tiny vertical passage on the forested slopes of this mountain relief in 2004. Here, a local farmer had previously observed airflow from a crack opening in the ground, indicating a possible cave continuation. After descending a couple of vertical pits, Mr. Forconi discovered previously unexplored wide chambers with archaeological remains, including ceramics, lithic artifacts, bone tools, and clumps of red colouring substance possibly ochre.

In 2014, Terra Incognita documented the research conducted by an interdisciplinary team of university researchers and the National Board of Antiquities.

This cave, a 350-meter-long karstic complex, was used as a burial site during the initial phase of the Middle Neolithic (5th – 4th millennium BCE). Based on archaeological evidence, the cavity remained accessible until the Middle Bronze Age.

Carinated jug with incised-line decoration, characteristic of the Neolithic incised ware tradition (from Petitti et al. 2010, fig. 2)

Archaeological investigations—though limited to surface observations—have documented a significant prehistoric occupation. Human skeletal remains, including disturbed burials, suggest ritual and funerary use. Associated finds include decorated Neolithic ceramics, such as incised-line bowls, carinated jugs, and a biconical cup with knobbed rim. Traces of red ochre pigment, charcoal clusters, and bone fragments dispersed across chamber floors and rock niches further support ceremonial activity. The material culture is consistent with a late Neolithic attribution, particularly the Fiorano facies, with parallels to assemblages from Monte Venere and Sasso. The evidence points to a site of symbolic significance, potentially reused over time, embedded in a broader ritual landscape of central Italy's Tiber valley



Topographic plan and sectional drawing of the cave layout

Figure gallery

Speleologist Mr. Paolo Forconi steps into the upper entrance of the cave (from giorgiopintus.blogspot.com).
Pottery fragments scattered across the cave floor surface (from giorgiopintus.blogspot.com)
Skeletal remains from the burials identified in the cave (from giorgiopintus.blogspot.com)
Neolithic carinated jug with incised-line decoration (from Petitti et al. 2010, fig. 2)
Speleologists descended through the narrow shaft of the artificial entrance (from giorgiopintus.blogspot.com)
Speleologists descended through the narrow shaft of the artificial entrance (from giorgiopintus.blogspot.com)
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Speleologist Mr. Paolo Forconi steps into the upper entrance of the cave (from giorgiopintus.blogspot.com).
Pottery fragments scattered across the cave floor surface (from giorgiopintus.blogspot.com)
Skeletal remains from the burials identified in the cave (from giorgiopintus.blogspot.com)
Neolithic carinated jug with incised-line decoration (from Petitti et al. 2010, fig. 2)
Speleologists descended through the narrow shaft of the artificial entrance (from giorgiopintus.blogspot.com)
Speleologists descended through the narrow shaft of the artificial entrance (from giorgiopintus.blogspot.com)
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Rock Art Figure Descriptions



Grotta Antica rock art red paintings (Sant'Oreste, Roma) Grotta Antica rock art red paintings after DStretch LDS filter (Sant'Oreste, Roma)

Example of red colour rock art figure from Grotta Antica in 2014
(photo by T. Mattioli)

- Original picture

- DStretch CRGB filter

Preliminary exploration at Grotta Antica revealed intriguing traces of prehistoric rock art, suggesting the cave may function also as a decorated hypogeum in central Italy. In a lateral niche of the main chamber, researchers identified a black curvilinear mark, segmented internally and likely drawn with a rigid pigment—possibly charred wood—on a highly irregular vertical rock face. In various parts of the cave walls, including at considerable heights, wavy or straight lines and dots— presumably made with red ochre— have been identified.



Two large segments of stalactite (or stalagmite) partially coloured with red ochre (photo Tommaso Mattioli)

Particularly noteworthy are two large segments of stalactite (or stalagmite) partially painted with red ochre and artificially positioned in a later niche where red ochre lumps were also found scattered on the cave floor, reinforcing the hypothesis of symbolic use of color for spatial demarcation.

Figure gallery

Grotta Antica rock art site - Clumps of red colouring substance possibly ochre (photo by P. Petitti)
Grotta Antica rock art site - Black painting (photo by T. Mattioli)
Grotta Antica rock art site - One of the two concretionary columns painted with red color (photo by T. Mattioli)
Grotta Antica rock art site - One of the two concretionary columns painted with red color (photo by T. Mattioli)
Grotta Antica rock art site - The two concretionary columns painted with red color (photo by T. Mattioli)
Grotta Antica rock art site - Black painting (photo by T. Mattioli)
Grotta Antica rock art site - Black painting (photo by T. Mattioli)
Grotta Antica rock art site - Traces of red-colour line (photo by T. Mattioli)
Grotta Antica rock art site - Traces of red-colour line (photo by T. Mattioli)
Grotta Antica rock art site - Traces of red-colour line (photo by T. Mattioli)
Grotta Antica rock art site - Traces of red-colour line (photo by T. Mattioli)
Grotta Antica rock art site - Traces of black-colour figure (photo by T. Mattioli)
Grotta Antica rock art site - Traces of red-colour line (photo by T. Mattioli)
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Grotta Antica References


2010

Petitti, Patrizia; Mogliazza, Silvia; Mattioli, Tommaso; Pessolano, Umberto; Mecchia, Giovanni; Piro, Maria; Filippo, Michele Di; Nezza, Mario Di; Cecchini, Flavio; Margottini, Siro; Toro, Beniamino; Leo, Damiana De; Savella, Carmela

Grotta Antica. Primi dati sul complesso archeologico Journal Article

In: Daidalos. Studi e Ricerche del Dipartimento di Scienze del Mondo Antico, vol. 10, pp. 1-22, 2010.

Links | BibTeX

2005

Mogliazza, Silvia

La scoperta di Grotta Antica Bachelor Thesis

2005.

Links | BibTeX


Milestones in the Exploration of Post-Palaeolithic Rock Art in the Italian Peninsula


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