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Morra di Colecchia
Morra di Colecchia is a natural dolmen-shaped shelter created by large limestone boulders collapsed from the overlying Mount Cerasolo. The rock art primarily consists of numerous fine engravings depicting tree-shaped figures, phytomorphic motifs, and lines, possibly created during the Late Mesolithic. Of particular interest is a phi-shaped figure painted in red ochre, superimposed onto the engravings, which can be dated to the Neolithic age.
Arnalo dei bufali
The Arnalo dei Bufali rock art site near Sezze (southern Lazio) is a karstic rock shelter once used as a refuge and livestock pen. In 1936, Alberto Carlo Blanc discovered a red-ochre anthropomorphic painting here, the first prehistoric rock art officially recognized in Italy, tentatively dated to the Neo-Eneolithic.
Grotta Antica
Grotta Antica is a rock art site of Lazio discovered in the early 2000s with paintings in red color. This is a karst cave that remained hidden for millennia in the underground darkness of Mt. Soratte near Rome before the speleologist Paolo Forconi of the Speleo Club Roma widened a tiny vertical passage on the forested slopes of Mt. Soratte in 2004.
Riparo di Grotti
Rock Art Site Description
- Rock Art Paintings: 17 in black colour
- Rock Art Engravings: none
- Site dimensions: 15m lenght, 5m depth
- Site orientation: South
- Site altitude a.s.l.: 525m
Riparo di Grotti is a limestone rock shelter decorated with black-colored paintings, discovered by archaeologist Dr. Tommaso Mattioli in March 2003. Accessible via the 'Via dei Monti' hiking path, it connects the village of Grotti to the sanctuary of the Madonna dei Balzi. In 1953, Italian archaeologist Antonio Maria Radmilli (1922-1998) surveyed the area and collected pottery fragments described by the author as 'di fattura preistorica ma di datazione imprecisata' (lit. prehistoric-like pottery sherds of uncertain dating - personal translation). Riparo di Grotti stands out for its strategic visual dominance over the Salto River valley. In 2008, GIS Viewshed analysis suggested that the site offers optimal visual control over the middle-distance landscape, particularly the valley floor where human or animal movement would occur. At the same time, its steep approach and elevated position ensure that the site remains partially hidden from below, suggesting a deliberate selection for both visual control and concealment. This duality implies that Grotti may have been chosen not only for symbolic or artistic purposes, but also for its perceptual and defensive advantages within the prehistoric landscape.
In 1972, archaeologist Lucio Valerio Mandarini reported the discovery of Early Neolithic impasto sherds from the nearby village of Calcariola. Additionally, Early Bronze Age pottery sherds have been identified in the vicinity of the Sanctuary of the Madonna dei Balzi. Finally, a Mousterian lithic industry, attributed to the Middle Paleolithic and associated with Neanderthal occupation, was recently discovered (2018) not far from the rock art site, providing key evidence for prehistoric human presence in the area.
In 2018 archaeological investigations inside the Madonna dei Balzi grotto revealed no signs of human activity prior to the current Marian devotion, which remains actively practiced. Current findings included votive offerings, devotional objects, and containers used to collect dripping water from the cave walls, indicating a strong association with water symbolism. The site is still the destination of an annual pilgrimage held on the first Sunday of September, drawing two religious processions from the villages of Grotti (Cittaducale) and Casette (Rieti).Container collecting water seeping from the rock beside the statue of the Madonna dei Balzi (from lemiepasseggiate.it)
Figure gallery
Rock Art Figure Descriptions
Riparo di Grotti - one of the anthropomorph of the right niche in 2022
(photo by T. Mattioli)
The rock art of Riparo di Grotti consists of 17 figures in black colour (anthropomorphs, tree-shaped figures, lines). The most interesting figure is a big masculine anthropomorph (approx. 12 cm in height) with a “T-shaped” head, shown frontally, the trunk decorated with ‘globules’ motifs. This figure, possibly holding a small animal in the right hand and a curved object (crook?) in the left, is located in the small niche on the right side of the shelter. This iconography is very similar to that of the anthropomorphs of Riparo di Caprara rock art site (Civitella Messer Raimondo, Chieti) (number 2 above) and the famous ‘sorcerer’ from the Fumane Cave (Verona) (number 3 above). In recent years, the local association Terre delle Grotte has installed information panels to enhance the site featuring the rock paintings.
Figure gallery
from Mattioli 2006
by Tommaso Mattioli
by Tommaso Mattioli
by Tommaso Mattioli
Riparo di Grotti References
2019
In: Preistoria e protostoria in ambiente montano: scoperte e ricerca territoriale, tutela e valorizzazione, vol. 7, pp. 107-109, 2019.
2008
Landscape analysis of a sample of rock-Art sites in Central Italy Book Chapter
In: Posluschny, Axel G.; Lambers, K; Herzog, I (Ed.): Proceedings of the 35th International Conference on Computer Applications and Quantitative Methods in Archaeology (CAA), pp. 342-343, Rudolf Habelt, Bonn, 2008, ISBN: ISBN 978-3-7749-3556-3.
2007
L'arte rupestre in Italia centrale : Umbria, Lazio, Abruzzo Book
Ali&no, Perugia, 2007, ISBN: 9788887594997.
2006
L'arte rupestre del riparo sottoroccia di Grotti (Cittaducale, Rieti) Journal Article
In: Quaderni di Protostoria, vol. 3, pp. 1-17, 2006.
1985
Panorama archeologico Sabino alla luce di recenti acquisizioni Journal Article
In: Atti del Convegno di Studio "Preistoria storia e civilta dei Sabini" (Rieti), pp. 99-124, 1985.
1955
Esplorazioni paletnologiche in alcune grotte nelle province di Rieti e Chieti Journal Article
In: Rivista di Scienze Preistoriche, vol. VII, iss. 1-2, pp. 1-6, 1955.









